Bm6 Guitar Chord

bm6 guitar chord

Bm6 guitar chord can be one of the more challenging chords to learn. It requires a barre on the first fret and may prove challenging for beginners.

To learn how to play a bm6 chord, it is necessary to be familiar with scales, intervals and fingerings. In this article we will cover the fundamentals of these topics and give you an easy-to-follow beginner guide for playing bm6.


The bm6 chord is one of the basic minor 6th chords. It consists of B, D#, F#, A and G# notes. To play it, move the root tone up a whole step or down one minor third to obtain the major 6th (G#).

The Bm6 chord is an ideal choice for beginning and intermediate musicians alike. It’s simple to play and versatile enough for use in various musical genres. The key to mastering this chord lies in understanding its structure and how to alter it quickly.

When playing this bm6 chord, there are several scales you can use. Pentatonic scales, for instance, contain only five notes and work well over most chords. Alternatively, you could try using different modes to solo over the chord.

Another option is to combine a pentatonic scale with other scales in order to create custom arpeggios for the bm6 chord. Doing this will give it an interesting and distinctive sound.

Scales are an excellent way to solo over a guitar chord, as they allow you to alter your notes as the chord changes. This keeps the solo interesting and thrilling for listeners.

Depending on the type of arpeggio that you select, you may wish to emphasize certain notes over others. For instance, if playing a minor triad, it’s best to play only those notes associated with that chord.

When playing a major triad, it’s beneficial to focus on the notes that correspond to that chord. Doing this will add interest to your solos and make them more enjoyable for both you and the listeners.

Utilizing a bm6 guitar chord in solos is an excellent way to boost your confidence as a guitarist. This chord can be played in many keys and it’s easier to learn than other minor chords due to its jazzy vibe that fits well into many musical genres.


Intervals are the foundations of all guitar playing: chords, scales and arpeggios. While they may seem daunting at first glance, once you understand how to utilize them correctly, learning can become quite straightforward.

Chords are composed of ascending THREADS (2 or more notes), such as C-E and C-A. This formula works 99 percent of the time and serves as the foundation for most chord construction.

However, there are exceptions to this rule; one of them being the “b9” interval which can be created in any chord by adding extensions (notes added to a chord that don’t naturally exist in its original chord). Although these rules can be difficult to comprehend at first glance, once understood they become extremely useful tools.

These “b9” intervals can be found in many major, melodic minor and harmonic minor scales (as well as some others), but if you want to become truly versatile you’ll need to practice them. With success, you’ll be able to construct chords like an Am7b5 in a fraction of the time it would normally take.

This can be especially helpful when soloing over chords that lack structure or just need some added interest. Once you master this technique, then you’ll have the freedom to create your own melodies and improvise over any chord with ease.

Passing diminished chords have a great potential to enhance your playing, and having this understanding will make things much simpler when diving into guitar chord theory, since it helps you avoid many common errors newer players often make!

Once you understand the b9 rule, the next step is to apply it to all of your scales and modes. Doing this will enable you to recognize which chord extensions are available and which don’t sound great. Furthermore, it allows for creating custom guitar scales without needing to memorize notes for every root!


The Bm6 guitar chord can be one of the most challenging to play. It often requires a bar across all five strings, which requires considerable finger strength.

If you’re having trouble playing this chord, there are other variations that are easier to learn. The key is finding one that feels comfortable for you and taking it slow.

It’s best to learn each chord form separately, then practice until you can play it without a bar. This way, your technique will become second nature when moving onto harder forms of chord.

Learn to play the Bm6 by placing your index finger on the 2nd fret of the high E string, middle finger on the 3rd fret of the B string and ring finger on the 4th fret of the D string. This is an accessible way to begin playing this popular chord progression – plus, it helps build finger strength!

Another version of the Bm6 guitar chord that can be played is by placing your pinky finger on the 4th fret of the G string. This fingering works great if you have difficulty playing the Bm chord and are unable to use a bar for added support.

This chord has an upbeat, open sounding tone and it can be used in various scales. It works well for sad or melancholy music as well as other styles that need a bright and positive note.

You can play this chord in a wide range of scales and it pairs well with many minor chords as well. This chord adds an extra layer of complexity and depth to your songs.

This chord is a popular choice for beginners and it can provide an upliftin’ tone to your music. It works well across various genres, and can be used in major, minor and mixed scales like A major, C major, G major, D major or F major – plus their relative minor scales.


The bm6 guitar chord is a straightforward to play chord that can be used in various scales. You can use this chord with major, minor and relative minor scales alike.

This chord is typically played with 3 fingers. It has become a widely popular chord, featured in numerous hit songs and jazz music genres alike.

It is an accessible chord to learn, playing over most major scales such as C major, G major, D major and F major. Additionally, it can be employed with relative minor scales like E minor, A minor and B minor.

One of the most basic variations for this chord is to omit the 6th string. This may be done as an intro into a song or to fill out chord progressions. This is an excellent way to add more interest and variety into your guitar playing.

Another option is to play this chord suspended over four strings, making it much simpler to play than when played on all six strings.

You can play this chord with just two fingers, just like the Em7 guitar chord. This is one of the most commonly taught and played chords for beginners, especially in bass position.

If you want to get creative with this chord, then you can omit the fourth string altogether. Doing so will create an m7-5 chord which is great for improvisations.

A m7-5 chord is similar to the Dm6 chord, and can be played in similar scales. The only difference is that you must move down a fret in order to play it as opposed to the Dm6 chord which requires just leaving off the third fret.

To understand this chord, start with its root note on the low E-string at 8th fret. From there, move it up a half step and it becomes C#6.