Bass Guitar Chorus Pedal

bass guitar chorus pedal

Bass guitar chorus pedals add a shimmering, thicker sound to bass lines. They can also enhance harmonic content and make chords ring. But it’s important to use these effects in moderation.

The pedal’s left side hosts 2 output jacks for Mono and Stereo connection while its rear houses a power socket. It also has 5 control knobs and a function button/ LED.

Boss CEB-3

This bass guitar chorus pedal is an excellent choice for those who want to add a lot of depth and dimension to their sound. The CEB-3’s unique design allows you to create a long-range chorus effect without changing the bass frequencies. It also includes a low filter control that lets you adjust the frequency range affected by the chorus. This allows you to avoid muddiness and get a clear, rich sound for any bass-playing style, whether it’s a pick or slap.

The Boss CEB-3 is a simple, compact chorus pedal for bass guitars that offers great versatility. It features controls for level, low filter, rate, and depth. It is powered by either an AC adapter or a 9V battery, and it has a footswitch that activates the effect. The pedal’s simple setup makes it easy to use, even for beginner bassists.

A chorus effect is an audio effect that repeats the input signal at close intervals, giving the illusion of multiple instruments playing at once. This can add a rich, lush sound to your bass, or it can be used to produce other effects such as tremolo. Depending on the amount of depth you set, you can control the intensity and tone of the effect.

The Boss CEB-3 is one of the best bass chorus pedals on the market, and it is an excellent choice for beginners and advanced guitarists alike. The pedal is easy to use, and it can be adjusted to fit any bass guitar. The control knobs allow you to adjust the speed, depth, and width of the effect, so you can get exactly the sound you want. The CEB-3 is also lightweight and compact, making it easy to carry with you wherever you go.

Ampeg Liquifier

The Ampeg Liquifier is a high-quality analog chorus pedal that offers a wide range of malleable timbres. Its controls include Rate, Depth, and a Dry/Wet control that allows you to dial in as much or as little effect as you want. Its three effect modes cover everything from classic single-voice chorus to more extreme Leslie-like modulation. It also has tap tempo and an expression pedal input that gives you additional control over effect animation. The only downside is that it can produce a hiss when engaging and disengaging, but it’s not loud enough to be a problem onstage.

The Liquifier features a dual-chorus circuit design and a roadworthy all-metal enclosure. Its simple controls make it easy to find and tweak your perfect chorus tone. It can be used to add a subtle effect or to create a full soundscape that will transport your bass to another dimension.

Its unique design is based on an analogue BBD (bucket brigade device) with two signal paths that are inverted relative to each other. The resulting effect is deeper and richer than what you can get with most traditional chorus pedals. Its Rate and Depth controls let you adjust the amplitude, intensity, or depth of the pitch modulation. It also includes a high-pass filter with three settings that can affect the tone and character of your chorus effect.

The Liquifier is one of the most versatile chorus pedals on the market, offering a wide range of sounds from traditional to experimental. Its depth and rate controls can take your bass from a subtle movement to a creamy wash of modulation. It’s also a great choice for fretless bass players, as it can create dreamy soundscapes that bring out the notes’ harmonic structure.

Joyo JF-05

The Joyo JF-05 Classic Chorus is a great pedal for bass guitars. It has the classic chorus sound you hear on many records, and it can breathe life into slowly picked arpeggiated chords or add a whole new dimension to overdriven guitar parts. It’s also very affordable, and it’s easy to use. It even comes with a footswitch to control the effect, so you can plug in your other pedals and have them work together seamlessly.

While the Suhr Riot and Joyo US Dream aren’t exact clones, they come very close. They both overdrive the signal really well and have a great dynamic response, similar to how a natural overdriven tube amp responds. This means that playing gently will produce less drive and digging into the strings will produce more.

Unlike some other overdrive pedals, these two do a very good job at maintaining your bass tone while still producing a nice amount of distortion. The Joyo Pedal also has a focus knob that allows you to set the degree of overdrive. This is a very useful feature because it gives you the ability to tailor the pedal to your specific needs and play style.

The Joyo Power Tune is a great little stompbox that can be used for multiple purposes. Not only is it a tuner, but it also has 2 500mA outputs that can be used to power other pedals on your board. This is a very useful addition to any pedalboard.

Boss CEB-6

Designed for bass guitarists, the Boss CEB-6 is a simple yet powerful chorus pedal that delivers a huge amount of dimension to your signal. With only three knobs, the pedal is easy to control and provides a wide range of sounds from subtle chorus to old-school psychedelic effects. The pedal also features stereo output, which helps to create a spacious soundscape.

This compact stompbox offers classic analogue chorus sounds with some nifty features, including a low filter that prevents muddiness. The pedal also preserves low-end warmth better than other effects, which is a big plus for bass players. It has an easy-to-use interface and great value, making it a must-have for any bass player.

The pedal has two outputs, a mix effect knob, and a large footswitch for activation. The Rate and Depth knobs are typical of most chorus effects, but the BCD adds a Crossover switch that allows you to alter the frequency range affected by the modulation. The Low Filter controls the lower frequencies, allowing you to shape the chorus to your liking without affecting the bass notes.

This compact, durable pedal has a power supply connection, a noiseless MOSFET footswitch, and a check LED. Its simple controls and high-quality components have made it one of the most popular pedals on the market. It is also easy to maintain and works with either a 9V or 18V power supply. The pedal’s streamlined design and compact size make it a good choice for smaller pedalboards. Its sound is reminiscent of the classic Boss analog Chorus pedals, but it has an extra feature that makes it even more useful. The low-end filter knob allows you to accurately control the effected frequency range and prevents muddiness.

Dunlop Amped

The Dunlop Amped is a compact bass guitar chorus pedal that delivers warm and natural-sounding modulation effects. It features a simple design and easy-to-use controls. It is a good choice for bass players who are looking for a solid and affordable chorus pedal. It comes in a small cardboard box that contains a quick start guide for a brief overview of the device, a user manual that carries details about every component, a vibrant red warranty/ thank you card from the brand, and an 18V ECB004 AC power adaptor.

The pedal features a black housing and four control knobs. Three of them are smaller and black in color, while the larger white control knob for Rate defines the speed of the effect. The pedal also includes a footswitch and LED indicator for activating and deactivating the effect. The pedal can be powered by a standard 9-volt battery or any other DC power supply with an Iso-Brick, DC Brick, or Mini Iso-Brick connector.

This pedal is an analog stompbox with bucket-brigade delay circuits that provide rich and complex sounds without compromising the integrity of your original signal. Its depth and rate controls are versatile and can produce a wide range of sounds, from seasick tremolo to shimmery modulation. Its X-Over mode is ideal for bass, giving it a focused and tight low end that avoids the boomy PA sound that can be associated with chorus pedals.

This pedal offers great versatility for bassists and is suitable for use with all types of basses. It is an excellent option for beginners or professionals who want a quality chorus pedal that can handle any genre of music. Its small size makes it a good fit for any pedalboard and its high-quality components provide outstanding performance and durability.

Chorus pedals can add a subtle thickening to a clean bass tone or enhance a drive tone. They’re often paired with overdrive and work best when placed before delay and reverb effects.

This bass guitar chorus pedal was very well suited to both slap and fingerstyle playing. It never seemed to overwhelm the bass tone or carve away definition between notes like some lesser pedals can.


Chorus pedals are part of a group of effects called modulation pedals. They manipulate the audio signal by doubling it and processing it with delay and pitch shifting for a wider sound. They are perfect for bass players who want to add some shimmer and lushness to their tone without sacrificing clarity. They are also great for bass players who want to emulate the 1980s musical aesthetic of bands like Peter Hook and The Cure.

Standard controls for chorus pedals include a rate and depth control. These control the amount of delay time applied to the wet signal, and how much the pitch shift is affected by the change in delay. Depending on the type of chorus pedal, other controls may include an HPF setting that allows the effect to be focused in the low or high frequencies. EQ settings are also common, and allow the user to control the overall sound of the pedal.

Aguilar’s Chorusaurus utilizes analog bucket brigade technology to create a rich and lush chorus effect. Its simple four-knob layout makes it easy to use, and its intuitive design lets you control your sound with ease. The RATIO knob adjusts the ratio between the dry and wet signals. The DEEP knob sets the level of chorus effect. The CHORUS switch turns the effect on or off. The LEVEL/MIX knob controls the intensity of the effect.

The pedal excels at fingerstyle and slap bass playing, and its Deep control really makes the bass stand out in a mix. However, it struggles with chords because the chorus effect tends to drown out the low end. Nevertheless, with the DEEP control set to a moderate level, the pedal still provided plenty of fullness for fingerstyle playing, and gave slap bass lines an extra layer of shimmer and texture.


Unlike time-based effects, which add an element of delay or echo to your bass note, flangers change the frequency aspect of your signal by adding a ‘comb filter’ effect. This can be used to accentuate certain frequencies or reduce others to create a unique sound. Using a flanger on a bass can be particularly effective, creating a dreamy quality that is perfect for enhancing picked sections or gentle chords. It can also be very effective when used in conjunction with other pedals such as a distortion or fuzz pedal, as it can add a shimmering ambiance that is great for accentuating the drive of these pedals.

A chorus pedal was originally designed to emulate the sound of a choir singing in unison, but with slight differences in timing and pitch. This produces a beautiful chorus effect that can be heard on many popular songs, including Kurt Cobain’s Nirvana classic ‘Come As You Are’. It’s a very versatile pedal and is available in a variety of different styles, from the reissued Electro-Harmonix Small Clone to the stompbox-style BOSS BF-3.

As with most modulation effects, a flanger should be placed towards the middle of your effects chain, following compression, boosts and overdrive pedals and before time-based effects such as delays and reverbs. It can be useful to place a flanger before a compression pedal for a subtle amount of tone thickening. Many pedals also feature a stereo option, which can widen and intensify the swooping flange for more extreme effects. Some pedals also have an HPF control which adjusts the tone of the upper and lower halves of the frequency spectrum, ideal for balancing out the high and low frequencies in your mix.


Chorus is one of the more popular effects for bass guitar. Many bass amps have chorus built-in, and it can also be found in a variety of pedals. This is probably due to the fact that chorus can be a great way to reinvigorate a clean bass tone or enhance a drive sound. It can also be used to create a spacey vibrato and is often found in the pedals of guitarists who like to use a lot of modulation effects.

The depth control is a crucial part of a chorus pedal and adjusts the amount of modulation that occurs. The deeper you set this knob, the more pronounced the chorus effect will be. This can be beneficial for some players, but it’s important to remember that chorus can easily become overpowering and lose its intended effect.

When the Depth control is set to zero, the pedal produces a very subtle and delicate effect. It’s almost as if the clean signal resembled a still pond and activating the pedal triggered gentle ripples across the surface. This is an ideal setting for a beginner or for players who just want to try out the effect.

When the depth is set to a higher value, the pedal begins to produce a more intense and melancholy chorus sound. This is a great setting for fingerstyle playing and chord based music as the effect can add an 80’s synth quality to basslines. This is especially noticeable on longer notes. It is important to keep in mind that, like most effects, the chorus can be overused and can quickly become tiring on the ear. This is why it’s good to have a mix knob available to balance the chorus effect back to your dry signal.


The bass guitar operates within a very different frequency range to acoustic instruments and, therefore, standard multi-level chorus pedals can make bass notes sound thinner than they should. This can be corrected by varying the amount of effect used or by using an EQ to remove any unnecessary frequencies before sending the bass into the chorus. The Deluxe Bass Big Muff Pi allows the bass player to control both of these factors.

With the HPF set between noon and 4 o’clock, the chorus sounded very natural on both slap and fingerstyle playing. The cutting high end frequencies that come from slapping were covered by the chorus and the low boom frequencies of fingerstyle playing were also present but did not overwhelm the overall sound. Chord-based playing did not slouch either and slow, melancholy chords with the depth control set at around 3 o’clock provided a rich fullness.

The pedal is very easy to use and there was no noticeable signal increase or decrease when the effect was activated. Unlike some lesser quality pedals, it didn’t have any problem keeping up with the speed of my picking. Activating the pedal at the beginning and end of musical phrases was also smooth and did not cause any noticeable noises that might interfere with the clarity of the sound.

Many pedals that change the tone of a guitar or bass are called modulation pedals and are better placed in the signal chain after any tone-producing effects such as distortion and fuzz. This is because the modulation pedals take the tones created beforehand and change them rather than creating their own tones, so they should be preceded by any other effects that modify the tone of the bass or amplify it in order to achieve the desired effect.


Most guitar chorus pedals are not designed specifically for bass, and their tone can suffer from lack of lower frequencies. However, they can still sound amazing. Generally, it’s best to place modulation effects like chorus, phaser, and flanger pedals relatively late in your signal chain. They should come after the more tone-producing pedals like compressors, overdrives, and distortions. This will avoid the effect warping the distorted signal and removing its full potential.

Chorus pedals create their sound by changing the pitch of your signal by varying the start times of a delayed audio wave. The result is a chorus effect that sounds very similar to a vibrato or tremolo at its most extreme.

Bass players can also use chorus pedals to create a more dramatic Peter Hook style chorus, which is often heard on Eighties music. However, if you’re not careful, this kind of chorus can make your bass sound seasick and unnatural. To avoid this, look for a pedal that has a detune control. This will ensure that only the highest pitches are affected and leave your bass’s fundamental notes intact.

Other effects that can be used on bass include octave pedals and harmonizers, which can add layers of pitch above or below the original note. This can help to create more complex grooves and melodies. Time-based effects such as delays and reverbs can also be great on bass, but be careful not to overdo it with these.

As with most bass gear, it’s important to experiment with a variety of different pedals to find what works for you. Even a single new sound can open up a whole new world of possibilities for your bass grooves and compositions.