Guitar players usually add momentum and reduce dense, busy progressions by employing short bass runs or riffs as accents during vocal pauses, creating short runs or riffs as accents on short basses runs as accents during vocal pauses. This adds momentum while making progressions less dense or complicated.
Taylor uses inversions in bars 4 and 7, as well as some slash chords (chords with their root at the bottom) to add depth and avoid sounding repetitive. These techniques can give his song more dimension while keeping things from sounding monotonous.
Bm7
The Bm7 chord is an increasingly popular choice in funk-influenced musical genres. It takes the standard composition of a minor chord and adds an altered version with an altered flat 7th note to give a distinctive sound; making this chord stand out from basic B minor chords.
To play this chord, place your index finger at the 2nd fret on the 5th (thinnest) string; your middle finger can then be placed on either 4th (thinnest) string at that same fret, as well as your ring finger on G string – all this should result in the basic C chord being formed.
This voicing is ideal for novice players as all three fingers remain on one fret and transition smoothly to and from an A chord.
G7
G7 chords possess an intimate sound that fills melodies with warmth. Their presence provides comfort to listeners who experience its soothing qualities.
After mastering major and minor triads, intermediate guitarists advance their learning by studying seventh chords – which are tertian chords combining major third and minor third to form a new triad with an added fifth interval.
To play a G7 chord, start with a regular C chord and add your pinky finger. Next, move your index finger onto String 2 and your middle finger onto String 3, before strumming all three strings at once! To complete this chord!
Dm7
The Dm7 guitar chord is an effective and straightforward way to instantly upgrade any song with its sound, consisting of only four notes: D, F and A; however its unique sound stems from its added seventh interval.
To play this chord, place your index finger on the first fret of both strings without touching either 5th or 6th string; leave remaining strings open as well. Move this Dm7 barre chord shape up one fret for Dm7/F and up two for Dm7/C chord shapes.
F#m7
The F# minor 7th chord (abbreviated as F#m7 or F#min7) is a four-note diatonic chord consisting of F#, A, C# and E notes which harmonize with the F# natural minor scale.
As is typical for minor triads, the F#m7 chord contains both a minor third and perfect fifth note intervals – with M3 representing the third interval and P5 referring to its fifth one.
Learn to play this barre chord on guitar using the ChordBank app, which will listen and guide your playing step-by-step.
E7
E7 chord is a four-note dominant seventh chord composed of E, G#, B and D and can take several forms; most commonly is the open E7 with your index finger on string one and your ring and pinky fingers playing strings two through five.
Create the E7 chord by adding your third finger to an open E chord in fifth position – Henry Mancini made famous this chord by using it for his theme song from Breakfast at Tiffany’s! E7s can be found across many genres and should form part of your repertoire.
A7
A7 chord is one of the cornerstones of guitar chord theory. To fully appreciate its music theory and harmonic functions as well as how it differs from other 7th chords like A major 7, understanding its music theory and harmonic functionality is vitally important.
The A7 chord is an indispensable foundational chord to learning how to play dominant seventh chords, providing its distinct sound with many musical genres across a broad spectrum. Furthermore, tension and ambiguity is added prior to resolution with tonic chord. Additionally, its open position makes this easy guitar chord for novice guitarists.
C7
C7 chord can be found in several films and music genres; its prominent use can be found in “Breakfast at Tiffany’s” as well as Hank Williams’ country classic, “Hey Good Lookin.” It offers a rich sound and works effectively across many musical genres.
Some have proposed that the C7 chord be changed into a C major triad with an open seventh (C, E and G). While this would still create an enjoyable sounding chord voicing, jazzier tones may be lost by doing this.
Alternately, to play this chord you can barre all five strings, beginning by placing your index finger on the third fret of A string and stretching ring finger to fifth fret of D string; then strumming your chord.