Seven Curses Chords

Seventh chords are an extremely common type of triad-based chord, often known as dominant seventh chords. Their use adds dissonance and instability to any given chord; which makes for some creative voicing choices when used effectively.

This song, Seven Curses, is set in B minor – an ideal chord that spans multiple genres and styles of music.

1. Dm7

Dm7 chord is one of the more prominent chords, often used in styles like jazz, funk and soul music. Listen out for it when listening to cheer pop confections by The Supreme (Baby Love) or Marvin Gaye’s Inner City Blues for instance.

This chord is similar to F6, except with an added minor seventh – and is known by its other name Dsus9. If this voicing is new to you, practice strumming all four strings for eight beats at a time until comfortable – this exercise can help develop finger independence while simultaneously increasing ability to switch between barre chords.

2. Eb7

Eb7 is an example of a dominant seventh chord and is constructed by using the root (1), third (3), fifth (5) and seventh scale degree of E flat major scale (Eb-G-Bb-Db). Note that the seventh note has been lowered half step to make this chord sound more dominant.

This chord can add great tension and drama to many songs. By practicing playing it with different progressions, you may soon find it becoming part of your repertoire.

3. G7

G7 chords add a rich, full sound to songs. They consist of G major chord with an extra F7 interval added in.

This chord uses the open position version, meaning no fingers need to bar any of the strings with your fingertips. Instead, decide upon an order in which to place your fingers so as to build muscle memory and avoid unnecessary frustrations.

When playing this chord, the standard progression in many styles of music is to follow it with C major chord. This creates tension with G7 chord and provides relief through C major chord.

4. Csus2

The C suspended second chord is a type of triad in which the third has been replaced with a major second note, using the same formula as a suspended chord but without using its 3rd scale degree to determine whether it’s major or minor chord.

Playing this chord progression is also more straightforward; only two fingers in your left hand are necessary to play it. Simply play bass note octaves that match chord time – C notes for Csus2 chords and A notes for Asus2.

ChordBank’s free mobile app makes practicing these chords even easier; real-time feedback gives you real insight into how well each finger is playing!

5. Cm9

Chords containing a ninth add an additional level of complexity to your music. The C minor ninth chord, often abbreviated as Cm9, adds five notes that combine into an intricate five-note harmony.

Like other ninth chords, this Cm9 chord can be altered by adding either a sharp (#) or flat (b). However, for practicality reasons this chord is typically played without alteration; hence its name: simply Cm9.

Strumming the chord with a firm strum will prevent any muted notes. Practice moving seamlessly from this chord to others for improved chord changes.

6. Db9

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Srln scxom hax iz tawd dnaw yi gnit dnaw yi psiocse

7. F#7

F7 (F sharp dominant 7th) chord is a robust chord that evokes feelings of both anger and relaxation simultaneously, providing your guitar with a distinctive bluesy tone. Although challenging, this chord can be learned with practice and time.

Dominant seventh chords are integral harmonic elements that generate tension before returning to their tonic, creating anticipation in jazz and blues music as well as helping guide listeners through transitions and resolutions within songs. Their choice of inversion affects how it functions as well as voice leading techniques.