One of the most valuable tools in any filmmaker’s arsenal is sound. Bad audio can undermine even the finest videos.
From bag based sound recording packages for fast-paced shoots to cart-mounted full production sound rigs, we’ve got everything covered – our audio equipment rental packages can be tailored specifically to the shoot’s content & production workflows.
External Microphones
An effective microphone is essential when shooting video in the field. Microphones are designed to amplify and focus sound so it can be recorded clearly without distortion or noise interference from other sources; typically used alongside digital recorders or mixing boards for use as recording devices.
No matter where or when you shoot video, an external on-camera microphone can elevate your video production by sonically outperforming the microphones built into DSLR and camcorder cameras. Such built-in mics often pick up handling noise made by the camera itself as well as ambient sounds such as wind which could overshadow them.
On-camera microphones can be divided into two main categories: those designed to attach directly to a boom pole or camera and wireless lavaliers that clip directly onto a person speaking, known as lavs. While boom mics may be more durable and adapt to various production situations better, lavaliers offer greater portability – ideal for mobile journalists who require frequent mobility in their daily work lives or vloggers who frequently move about.
One of the best options for on-camera filming is a shotgun microphone like sE Electronics V7 handheld dynamic mic, featuring an aluminum voice coil and supercardioid polar pattern to minimize stage bleed. Furthermore, its moisture resistance makes it suitable for outdoor shooting where humidity and condensation may damage many mics; additionally it includes shock mount clips for attaching it directly to boom poles as well as clips that attach directly onto vlogging rigs, along with a foam wind screen to minimize wind noise.
Rode VideoMic NTG microphone is another versatile choice, designed to work both with DSLR cameras and smartphone rigs as well as in studio applications for recording voiceovers and podcasts. Featuring a supercardioid polar pattern and auto-sensing 3.5mm output switching between TRS and TRRS cables allowing it to be connected easily on set or studio applications.
Digital Audio Recorders
Digital audio recorders are an essential piece of equipment for videographers, enabling you to capture high-quality recordings that can easily sync up with video editing software. There is a variety of sizes, styles, and price points for these recorders available – from handheld devices to larger units that can be mounted onto boom poles or tripods – plus some come equipped with built-in mics as well as the option of using external mics for added flexibility and control.
Digital recording converts audio signals into digital pulse patterns that can be stored and played back through either a computer or dedicated sound card, providing much higher fidelity than analog recordings as digital information is less susceptible to distortion and noise. Digital recordings also allow multiple tracks to be recorded simultaneously – an invaluable feature in film and music production. The first digital audio recorders appeared during the 1980s using optical disc technology; unlike magnetic tape recordings they could be rewound without damaging any information stored therein.
One of the most widely-used digital audio recorders for video production is the Zoom H1n, often employed by ‘Run & Gun” videographers who wish to upgrade their sound quality beyond what can be obtained with standard microphone arrays on DSLR and mirrorless cameras. It features a monochrome LCD display as well as an auto-distortion function to protect recordings against sudden spikes in volume levels.
Sound Devices MixPre digital audio recorders for video production stand out as being particularly reliable and useful, drawing praise from professional filmmakers due to its impressive build quality and versatility. Its large angled screen makes setting recording levels easy when in your pocket; two XLR microphone ports enable studio-grade recording while its line-in input makes plugging in lav mics for presentation convenient.
RODE’s GO II digital audio recorder boasts a compact form factor, making it the ideal option for those on-the-go. Equipped with a 3.5mm TRS input to connect a lav mic, plus both an omnidirectional and cardioid condenser mic for wide sound capture capabilities, this battery-powered recorder also includes RODE windshields for additional protection in adverse environments and has an advertised maximum recording time of 10 hours while compatible with multiple SD cards.
Boom Poles
Boom poles are long sticks with microphones attached at one end that enable video production crews to record audio from distance without interfering with camera operator or frame. Shotgun mics feature highly directional mic patterns which capture sounds directly in front of it while rejecting outgoing sounds that come from other directions.
When purchasing a boom pole, look for one that is lightweight yet sturdy. Additionally, make sure that it can easily be maneuvered and handled when extended to its full length. Ideally, look for boom poles equipped with comfortable handgrips so that extended periods of work can be completed comfortably.
Size of Boom PoleIt’s important to keep in mind the length and type of boom pole you use when filming scenes that require long distance between camera and subject. Longer boom poles may cost more, but can come in handy for creating many scenes where shots require long shots from different perspectives. Shorter poles may prove harder to keep out of frame or may limit range of the camera.
Boom poles with internal coiled XLR cables can be useful in quickly connecting to your mic, saving both time and hassle by eliminating the need to rig up cables manually. They also help reduce handling noise while permitting you to use any type of cable you prefer, with some even offering removable top screws for quick and simple mic mounting.
Boom poles are essential components of producing professional videos. Their long length enables you to get close to your subject while staying out of frame, which is key for capturing detailed audio. For maximum flexibility and durability, choose ones made of aluminum or carbon fiber material – adjustability is also a plus!
Carbon fiber boom poles offer numerous advantages over their aluminum counterparts. Their main strength lies in their strength and durability; lightweightness; reduced handling noise levels; greater versatility and easier maneuverability when working in tight spaces.
Headphones
An effective pair of headphones is key when editing audio. Finding a set that doesn’t leak sound will allow you to hear all the audio you need to work on without hearing leakage; additionally, select headphones with broad frequency response capabilities from 20Hz up to 20,000Hz as humans have hearing capabilities up to this range.
Your choices when it comes to headphones depend on your personal preferences; whether open-back or closed-back is best depends on which suits your editing style best. While open-back allows ambient noise in, closed-back can block it out for optimal editing precision.
Professional studio headphones are often chosen by video editors due to their accurate reproduction of audio frequencies and clear sound quality. While professional headphones may be costly upfront, their investment pays dividends over time – for those on a tight budget there are great three-figure alternatives available that still deliver premium sound quality.
Gaming and consumer headphones can also be used for audio editing, but their designs tend to accentuate bass frequencies while minimizing mids frequencies, creating an ideal audio editing environment on headphones while not accurately reflecting how audio will sound when played across a variety of systems.
When editing videos, headphones that provide comfort for extended wear will be essential. Also consider your need for isolation from outside noise sources.
If you’re in search of lightweight and portable headphones with excellent audio performance, the Beyerdynamic DT 770 Pro may be an excellent choice. Boasting soothing construction and wireless connection capabilities, it makes this headphone an excellent solution for content creators on the move. Although an over-ear model, its small ear cups don’t fully cover your ears; furthermore, its thin leatherette ear pads may cause discomfort after long use – overall making this versatile headphone an excellent option for video editors with its extremely versatile design.