F Dominant 7 Sharp 9 Chord (or F7(#9))

The F dominant 7 sharp 9 chord (or F7(#9)) consists of five notes arranged as F, A, C, Eb and G# and is similar to its F 9 counterpart but with an additional augmented ninth added on top. View a text-based chart below or click here for an interactive piano version.


Scales are repeated patterns of notes that follow an octave pattern. Most scales rely on diatonic pitch classes; others use chromatic pitches or whole tone intervals. Scales may be found both classical and jazz music – with modern jazz often using the chromatic scale as its foundational basis for harmony; major scales consist of seven pitches that may ascend or descend while an octatonic scale has eight notes; the Bebop Scale adds one extra chromatic note at its conclusion – used also used during blues improvisation sessions.

Musicians identify notes of a scale by employing solmization syllables and notation, such as Arabic numerals with carets above them, which allows musicians to identify pitches by counting one whole step (or semitone) up or down from where they currently are in a scale; for instance, in C major this would be C-D-E-F-G-A-B-[C], while F minor scale would include C-D-E-F-G-A-B-[C].

A musical mode is a series of tones that creates a specific sound or atmosphere, be it key, chord, arpeggio or scale – this can include anything from keys and chords through arpeggios and arpeggios to scales as minor, major or diminished modes. Musicians usually utilize major and minor modes when writing melodic compositions while using other modes for more experimental modal or jazz pieces.

Major and minor scales are essential components of music theory for musicians. Familiarity with these basic scales will allow musicians to play numerous popular songs more effortlessly. Scale practice should take place daily for optimal skill development; memorization takes time but is essential in musical performance.

Jazz musicians frequently employ the octatonic scale and whole tone scale, both of which offer distinctive sounds that add emotion to music. For instance, an octatonic scale’s modal quality adds tension while whole tone scale creates a dreamy soundscape; these scales can be played on guitar, piano or other instruments.


Intervals are the distances between musical pitches. Each interval has both a numerical name (second, third etc) and quality that determines its majorness or minorness; majorness being major and minoritude or perfectitude or augmentancy being minorness or imperfectness respectively. Interval knowledge is integral for understanding music theory as it will help you better appreciate melodies chords etc. They can also be measured using lines and spaces on a staff or counting the number of scale steps between notes in a scale progression.

To determine the size of an interval, begin at its lower note and count up towards its upper note. As you move upward, your count will increase due to higher intervals that require more spaces and lines to reach them; for instance, a fifth distances itself one space and four lines from its original source, representing six scale steps; three spaces and five lines separate it from its origin point, representing seven scale steps respectively.

Once you know the size and quality of an interval, it should be easy to assess its quality. Simply imagine its bottom note is the tonic of a major scale, then compare its top note against those notes; if its top note falls into that scale then that makes it a major interval; otherwise a minor or diminished interval exists.

An augmented interval is one half step larger than its perfect or major counterpart; similarly, diminished intervals are one step smaller. Intervals can be expanded or contracted through accidentals on their top note – for instance from C up to E can be either expanded through raising its pitch, or decreased via lowering it.

As part of learning about intervals, there are a few other key points to remember. First is understanding which intervals invert: thirds become sixths, fourths become fifths and fifths into octaves. Furthermore, perfect intervals revert back into perfect intervals while major or minor intervals turn back into either major or minor ones.


Arpeggios take the individual notes that make up a chord and play them successively in ascending or descending order, creating a sound more similar to that of a scale than of a chord – creating texture-rich lead parts of songs and adding dimension. When it comes to sounding great, adding arpeggios into rhythm and lead playing can be transformative!

As a way to get started, select one key and memorize its arpeggio forms, for instance the G major arpeggio comprises G-C-F-A-D-G. Once this step has been completed, move onto other keys; I recommend starting out using CAGED system, as this makes finding chord shapes much simpler for beginning guitarists.

Advanced guitarists may benefit from shifting up and down the octaves of their arpeggios. This will force your fingers to learn new finger positions while being an enjoyable way to test yourself. Once comfortable with two octaves, add in another one; this will challenge them to find patterns across different locations on the fretboard faster.

Arpeggios can also be expanded to cover an entire key. For instance, C major has five arpeggio shapes but you could add one more using its diminished seventh scale as this type of arpeggio can often be found in metal music and could add another dynamic dimension to your playing.

Finally, you can try creating your own arpeggios by skipping every other note in a shape. While this can be challenging when beginning, try starting on the root note of the chord and moving up or down octaves until your fingers can easily play an arpeggio with it.

Arpeggios on guitar can be intimidating at first, but by applying these concepts into your practice sessions and songwriting you are bound to see improvements. Stay tuned – as we continue to add helpful articles for beginners and experienced players alike, be sure to visit this site often.


Chords are essential when it comes to music composition; they create sounds ranging from bright and cheery to dark and moody, so understanding their functioning is crucial. Each chord is comprised of three or more musical notes that can be combined in different arrangements to produce different tones and sounds. When first starting piano lessons, beginners may benefit from starting off by practicing simple chord progressions to get used to how things work before moving on to more challenging arrangements.

Basic chords consist of three notes–a root note, third and fifth. This structure is known as a triad chord and it serves as the backbone for most songs. If you want to add depth and complexity to your chords, consider including an additional seventh interval note that adds richer tones that create tension in your tracks.

Chords found within a scale can be classified as major, minor, or diminished chords. Major chords are constructed using notes found within a major scale while minor chords use notes from minor scales to form them.

A diminished chord is composed from notes in a minor scale and features a dark and melancholic sound. Compared to major or dominant chords, its tone can create an oppressive vibe in your tracks.

Dominant seventh chords are one of the most prevalent chords found in contemporary popular music, being used by artists such as Rihanna and Alan Walker. Dominant seventh chords can also be combined with other chords to form more complex progressions; one such example would be using vi-iv-v7 progression that’s commonly employed by rock and pop music composers.

One popular progression is 12-bar blues, as seen in timeless songs such as AC/DC’s “Back in Black” and Lynyrd Skynyrd’s “Sweet Home Alabama”. Consisting of three chords played sequentially and used to express emotion.

Chords may be represented using various symbols and abbreviations; the most frequently employed are letters that indicate its quality (minor or major) and numbers that represent its interval stacking (5, 7, or 13). There are also special symbols used to alter chords by adding ninths or augmented fifths.