“IDA judges love seeing well-considered, clean and high energy hip hop pieces,” states Troy Haywood.
Soulja Boy launched a dance craze with Crank That in 2007; U Can’t Touch This by MC Hammer may no longer be as popular, but its easy-to-learn dance is still enjoyable and worth performing.
1. Crank That by Soulja Boy
Dem Franchize Boyz’s “Lean Wit It, Rock Wit It” and Soulja Boy’s 2007 hit song Crank That are unique among hip hop artists in that they emphasize dancing rather than hard gangsta poses and swaggering. Instead, their catchy beats and positive message encourage listeners to pursue their goals.
DeAndre Ramone Way, more commonly known by his stage name Soulja Boy Tell ‘Em, leveraged an internet dance craze into radio prominence with his 2007 hit single and launched his career. The song became one of the year’s biggest hits and is credited as being responsible for sparking his rise to success.
The song and dance that accompany it has inspired generations to get out on the floor and crank that thang! Additionally, its popularity serves as a model for how to craft hit rap records; “Crank That” has become ubiquitous since then. Novelty only goes so far; youth culture will quickly fill any remaining void with its own interpretation.
2. Teach Me How To Dougie by Cali Swag District
Cali Swag District made headlines in 2009 with their hit song “Teach Me How To Dougie”, popularizing this easy and entertaining strut that anyone could learn quickly and effortlessly.
This club banger features an infectious beat and catchy lyrics to boost dancers’ energy and tempos at any party or gathering. With its memorable chorus and seductive lyrics, this track will have them moving.
OutKast’s creativity shines on this upbeat track. Their rapping builds upon solid rhythm and meter, adding unexpected syncopation. Hip hop culture offers special respect to MCs who possess freestyle skills which enable them to improvise new rhymes on the fly – something which encourages spectators to cheer along and form an atmosphere of community within a crowd.
3. Laffy Taffy by D4L
If you’re searching for some hip hop music to dance to at your next party, look no further than D4L’s Laffy Taffy. This song quickly rose to fame due to its catchy lyrics and energetic beats; its rise became part of party anthem tradition.
Laffy Taffy inspired various remixes and covers, such as one by 2 Chainz that references Candy Girl from its original. Furthermore, it inspired artists to experiment with snap music – a subgenre of hip hop that features playful lyrics over uptempo beats – leading to songs like Dem Franchize Boyz’s Lean Wit It Rock Wit It featuring many elements found in Laffy Taffy.
4. Walk It Out by DJ Unk
Rappers often sing their hits, making sung tracks perfect for wedding audiences. Take Waka Flocka Flame’s No Hands featuring Wroscoe Dash and Wale for instance; an instant dance hit featuring lyrics like “Can’t get enough of this feeling” makes for an engaging performance between couples to sing-sing together at any wedding reception!
Unk kicked off a dance craze with his 2006 single Walk It Out, which became an international smash thanks to MTV using it as the walk-out score on America’s Best Dance Crew competitions. DJ Unk would then remix this track with additional verses by Outkast and Jim Jones rappers.
Though you might think otherwise, music about getting an erection on the dance floor might not seem appropriate for wedding receptions, MC Hammer’s classic 1989 track U Can’t Touch This still goes strong today. Meanwhile, Big Pimpin’ by UGK featuring Timbaland and Jay-Z touches upon many controversial issues associated with hip hop while being an incredible party hit.
5. Snap by D4L & Dem Franchize Boyz
Jizzal Man, Parlae, Pimpin and Buddie first began making snap music back in 2000 as an alternative to Atlanta producers’ heavy street rap sound; Hip hop DX magazine describes snap as being a more laid back version of crunk music than its forbearers.
Jermaine Dupri’s So So Def Records label was home to Laffy Taffy, which became their breakout hit. This song introduced snap music to a worldwide audience while simultaneously inspiring an infectious dance craze where you would hold your head back like there’s a nosebleed comin’ through while moving your body in time with the beat. Shawty Lo’s vocals on Laffy Taffy proved so contagious that even White male patrons of bars heard Lean Wit It, Rock Wit It played and started dancing along – so much so that people went crazy that crowd started filming him dancing along.
6. Gas Pedal by Rack City
Hip hop dance is an exhilarating and exciting form of movement to perform. There are plenty of timeless classics as well as modern pop and EDM hits available that will get your feet moving, providing endless inspiration.
No matter your goals are, these songs will have you dancing! Be sure to browse this list of best hip hop music for dance competitions for something that will get your feet moving on a night out.
Tyga’s Rack City song has gained considerable attention for its bragging and excess. However, its lyrics have come under scrutiny due to portrayal of materialism, while some believe he uses words such as “bitch” which some consider derogatory towards women.
7. How Low by Ludacris
This classic track is ideal for high-energy dancing. The beat is catchy and engaging while its lyrics promote an exuberant and carefree attitude. Although this track may not suit a slow dance session, it makes an excellent accompaniment at parties or backyard barbecues where it helps keep the party going!
Ludacris joined forces with Pitbull and Ciara for an incredible remix that elevated their original hit to new levels. Their combined styles make this song so beloved; Pitbull’s energetic reggaeton beats, Ludacris’ classic rap flow, Ciara’s angelic vocals, Ludacris’ classic rap flow all combine beautifully in this hit song that instantly became an instantaneous banger! Plus the music video features vivid colors and impressive camera work – making this an unbeatable combination that makes this one of the top songs for dance competitions! You simply cannot go wrong with this tune – you simply cannot go wrong!
8. Low by Eminem
Eminem made his debut EP debut with this dark 2Pac sampler called “Betrayed and Anger,” from which his cadence resonated with barely subdued frustration. On it he articulated a narrative of betrayal and anger in which his cadence pulsed with barely contained anger.
Even those who find Eminem offensive and repugnant can appreciate this song from its haunting production to its deeply relatable lyrics.
Eminem’s partnership with D12’s Pacewon, Young Zee and Silent Jay proved more shoutouts than collaborations before it disbanded; yet their somber dark banger showcases their solid chemistry. Nate Dogg’s melodic hook ties the track together while each member contributed verses that added their own style – all contributing towards creating this song about abusive relationships and its many challenges.
9. Smack That by Akon
Grammy-nominated Senegalese-American rapper’s infectious tune will make your next party rock and roll! It topped the charts worldwide and features an irresistibly catchy hook that will have everyone dancing!
Smack That initially appears to be about sexualizing women; upon closer inspection however, its lyrics take on more sinister undertones: the lines “money in the air, grab you by your coattail and take you to a motel” suggest exploitation for body.
Smack That furthers this theme with dancers dressed provocatively – sexual objectification of women must be addressed, and having pastor’s daughters being objectified even further compounds this problem.
10. Work It by Missy Elliott
Missy Elliott created this old school style thumper for popping, locking and gliding practice! Plus it adds an exciting Latin flair.
Missy Elliott and producer Timbaland created her dance music classic Work It for Missy’s fourth LP Under Construction. In an interview, Missy revealed that its famous backward hook actually resulted from an accidental slip-up!
Hip hop’s core principle is working with what you have. From its East Coast origins, this global multibillion-dollar industry has spread outward. DJs spin turntables in Sao Paulo; MCs rap Arabic in Qatar; children learn Rock Steady Crew-inspired moves on Soul Train television programs; even toddlers can’t resist its catchy beat and catchy rhythm!
Hip hop dancers are frequently requested to perform to hip hop music. This popular form can be found on TV shows like So You Think You Can Dance as well as music videos around the globe.
Music provides energy and excitement, yet lyrics may be inappropriate for younger dancers. To protect both dancers and judges alike, IDA judges advise selecting age-appropriate music and movements when entering competitions.
1. Trick Daddy & Twista
Hip hop culture first emerged in the Bronx during the early ’70s, where MCs started rapping over pop and rhythm and blues records with instrumental break sections known as breaks; these recordings became known as “break” records. A DJ named Kool Herc recognized their potential to fill dance floors with energy and creativity – thus birthing hip hop culture.
Hip hop dance has come to represent a powerful form of self-expression in which individuals can explore their innermost emotions and beliefs through dance, making it accessible to many young dancers. Hip hop dance’s broad appeal and unique versatility and accessibility makes it appealing not just as a competition dance but also for personal enjoyment in clubs or with friends.
Trick Daddy & Twista’s “Slam” is an ideal song for hip hop dancers to practice their moves and gain confidence. The lyrics (“Slam, da duh duh da duh duh/ Let the boys be boys and make noise b-boys”) and driving beat are perfect for getting dancers moving with energy and passion; inda judges have noticed that top hip hop dancers demonstrate this talent by mixing slow steps with fast steps in their routines.
Hip hop is a cultural movement with immense cultural impact that extends well beyond music and dance. Hip hop has inspired hope, courage and community among its practitioners in both classrooms and streets alike; anyone of any age or body type can appreciate this form of dance!
One of the biggest pet peeves for IDA judges is choppy music editing, especially with regards to hip hop routines. A good edit should ensure songs have appropriate lengths for routines as well as accurate timing – additionally it should allow smooth transitions between songs in a routine.
2. Missy Elliott
Melissa Arnette Elliott, popularly known by her stage name Missy Elliott, led a revolution for expressive Black women across music. This rapper, singer, producer, and songwriter rose to prominence after founding Sista in the early 90s; but after experiencing childhood trauma and family disruption she decided to focus on songwriting skills – teaming up with Tim “Timbaland” Mosley for some R&B hits that became hits themselves.
But Missy’s debut album, Supa Dupa Fly, solidified her status as one of hip hop’s new leaders. From its stuttering tabla beat on “Get Ur Freak On,” to its infectious dance jam “Work It”, Missy’s hits represented an amalgam of old school and futuristic aesthetics.
“Work It” became an instant dance anthem among dancers of all kinds; its music video featuring kitty mascot, dollhouse backdrops and giant inflatable patent leather suit complete with vintage Alain Mikli sunglasses was truly entertaining.
Lyrically, however, the song was just as revolutionary: its lyrics advocated for empowerment and respect in relationships as well as challenging masculinity on dance floors. Elliott made her own mark through a combination of controlled and spontaneous moves onstage.
Christina Fuschetto, an IDA judge and teacher, emphasizes the importance of selecting age-appropriate hip hop songs for dance competitions when selecting hip hop tunes for performances. Even if there are no inappropriate words within a song itself, inappropriate meaning could still exist within its lyrics, she notes. It’s important to take all aspects of its meaning into consideration when selecting songs for competitions.
Missy continues her legacy on today’s dance floors, whether at studio sessions or competitions. Her seductive beats, androgynous streetwear and unapologetic self-love in her music has left a markful imprint upon many young women; furthermore she’s been an invaluable ally and advocate for emerging Black female artists, helping them discover their voice while creating space on the music scene for them.
3. DJ Khaled & Lil Jon
Hip hop dancing has permeated pop culture to such an extent that kids can see it on television shows like So You Think You Can Dance, yet instructors must still ensure it is suitable for young children by selecting songs without offensive language or lyrics that could put off audiences they are teaching.
Hip hop relies heavily on its MCs and rappers for its core musical element – they rose to prominence during the 1980s with groups such as Sugarhill Gang’s “Rapper’s Delight” and Grandmaster Flash & the Furious Five’s The Message. Establishing personas ranging from cool and smooth to tough gangland toughness, they rapped about hard times while fighting for their right to be heard.
As hip hop gained in popularity, MCing and rapping increasingly played an essential role. Over time, rappers were elevated to star status along with their DJ partners; using breaks in funk and soul records as an impromptu stage, these artists connected with masses while unveiling innovative moves and sounds that had not previously been introduced into music culture.
DJ Khaled and Lil Jon are not only two of the most successful hip hop artists of all time; they are also lifelong friends who share a special bond and history from New Orleans streets. Together, these legendary musicians have collaborated in creating some of the greatest hits of hip hop history.
Their artistic chemistry is palpable in their work and friendship is an amazing testament to how important artist support can be in the industry. Through everything personal and professional they’ve both endured together they remain committed to their music as well as each other.
Both have released hit albums and held successful tours, as well as appearing on television shows such as America’s Got Talent and So You Think You Can Dance as judges or appearing as contestants themselves. Furthermore, both have launched successful clothing lines.
DJ Khaled established We the Best Music Group in 2008 and since then has released eight more albums under his label. Additionally, DJ has helped manage several rappers on his roster such as New Orleans native Birdman, Slim and Jeremih from Cash Money Records.
4. Kendrick Lamar
Troy Haywood of IDA states that an “artfully choreographed, high energy hip hop piece can bring down the house” at competition. He notes the rise in popularity for hip hop music among judges as an additional element. Hip Hop dance has found its way into all aspects of dance performance: traditional street styles to contemporary, pop and contemporary; hip hop often tells a story through rhythm while providing insight into culture it comes from. Hip hop can even be used to interpret more classical scripts like Aeschylus’ Seven Against Thebes from Aeschylus’ Seven Against Thebes in hip hop form!
Drake-Kendrick Lamar tensions escalated significantly in 2022 when Kendrick Lamar, hailing from Compton, united rival hoods to commemorate Juneteenth with his billboard-charting song, “Not Like Us”. Lamar’s gangsta-style rap boasts vivid imagery and boastful lyrics; his use of flow patterns, rhyme schemes, and metaphors demonstrate he was an expert at using this style.
Kendrick doesn’t take himself too seriously, either; even when taking jabs at his rivals he remembers to show that he can make people laugh with lines about wanting to slap his girlfriend or “tick-tocking,” such as on this ode to her which makes you chuckle out loud.
Kendrick made his mark as an established West Coast MC on Good Kid, M.A.A.d City before branching out his sound on To Pimp A Butterfly by featuring detailed stories, religious references and introspective lyrics. “Rockstar” blurs the boundaries between trap and hip hop but still retains its distinctive rap feel thanks to 21 Savage’s fiery verses on its production and 21 Savage’s fiery verses on 21 Savage’s fiery verses on it; with both these elements working perfectly on it he made sure there would be no one left standing when recording To Pimp A Butterfly was completed!
Kung Fu Kenny wisely avoided padding his album with guest features, opting instead to showcase his talents by pairing with only three performers: pop icon Rihanna on “LOYALTY.,” soul singer Zacari on “LOVE,” and U2 for the synth-bounce track “XXX.” As a result, this remarkable album contains songs which work equally well when rapping or singing; an extraordinary achievement during an otherwise turbulent hip hop era.